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Mystery
Leo Kensington

Verified Verified Artist

Leo Kensington
Leo Kensington, hailing from the sunflower fields of Kansas, has been lighting up local music stages as a pop-funk artist. This sprightly talent is especially known for his catchy tune, "Mystery," which has been described by fans as "a melodious enigma wrapped in quirkiness."

Kensington started his journey nimbly, strumming his makeshift cereal-box guitar while still in diapers (although not particularly in tune). His love for beats and rhythms was nurtured by the swaying wheat fields around his childhood home. Thus, bread was not the only good thing that came out of the humble Kansas wheat fields; they also gave us this ear-popping, funky melody maker.

In the local circuit, Kensington is revered for his dynamic performances which are akin to watching a tornado onstage - wildly exciting, immensely entertaining, yet always leaving you with a sense of awe. Ever the unpredictable, Kensington spiced up a rather bland Tuesday evening when he performed "Mystery" dressed as a unicorn. Yes, an actual unicorn. It was this sort of playful, eccentric ambiance that set Kensington apart.

Leo continues to electrify the local Kansas music scene, his songs resonating from every corner bar to county fair. His energy, stage presence, and charming charisma, accompanied by the unforgettable riff of "Mystery", ensures that one never forgets the name Leo Kensington. His exciting rise and the captivating persona undoubtedly make him one to watch. After all, who can resist a funktastic unicorn from Kansas?
Track(s)
Mystery 54130 04:22

Mystery

Leo Kensington


Why does it hurt
To hope? (Mmm ooh ooh ooh)
Why does it hurt?
(Let it out)
To hope? (Ayy ayy)
Why does it hurt
Why does it hurt?
(Ooh ooh ooh)

I love you like the segments
On the news
Cut between the stories of the hood
The heroes
And the glues
Seen and see-through
I could
Read the room
The sky turned red
The stage was vast
The moon took center view
And so did you

Why does it hurt
To hope? (Mmm ooh ooh ooh)
Why does it hurt?
(Let it out)
To hope?
(Ayy ayy)
Why does it hurt?

Why I'm supposed to hope
That things will change?
Keep thinkin' things will settle
As I get older with age
Huh but nothin's never been the same
So in the meantime
Might as well let 'em know my name
And I ain't gon' waste a second

So baby
Show me somethin' that I need for now
I don't mean to use you till I turn around
But maybe you might find you wanna stick
Around

Got so many skeletons inside my closet
That I don't go past October
'Cause if I start lookin' around
Might not come back till the fall is over
Like ooh ooh ooh

CREDITS
Performer: Leo Kensington
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Unholy Race
Logan Vance

Verified Verified Artist

Logan Vance
Meet Logan Vance: the rock and roll laureate of our generation and an audaciously independent artist from, where else, but the sin city itself, Las Vegas. This guitar slinging, wordsmithing, intergalactic hero seems to have been born solely to make his own harmonic storms in the very desert that taught him the rock and roll parlance.

His tunes are like his town - rife with stories about right turns in the wrong places, the neon gleam of casino nights, and the recurrent theme of chasing after reckless dreams. Our heady hero doesn’t just play music, he lives it, injecting every chord with a potent mix of knowledge, regret, passion, and a punchy dash of Vegas glitter.

All of which has found a strangely harmonious home on his signature track, "Unholy Race," a raging electrified commentary on social struggle depicting life as a grand, if unholy, race! This isn’t just music, it’s a heart on a sleeve diary from a guy who got hip to life in the neon haze of a Vegas sunrise.

But don't be fooled by his 'city of sins' background — on stage and in the studio, it’s all about the music for Vance. He might climb the heights of hedonism, but he always does it with a guitar in his hand, eyes on the sky, and feet firmly rooted in the arid, undying love for his music. Enter the Vance-Verse: equal parts witty, gritty, and every bit as glitzy as a Vegas-strip marquee.
Track(s)
Unholy Race 21608 01:52

Unholy Race

Logan Vance


I don't know what you want if you just complain a lot
Maybe all you want is all they got
They stealin' my voice like it's crack rocks
They try to slow me down just like I'm taking adderall
You ain't the one who took me to the top
Boom on the Zoom
Bop-bop-bop-bop
They out for my heart
Boy
Ha
Crop
Treat me like Patty Kane on a short shot
Pokemon
Pokemon
Pokemon
Gotta lay a lot
Gotta slay a lot

I'm runnin' a race that's unholy
They dump everything that they told me
Young winners
We might die slowly
Good thing we takin' it slowly
Young victors
We might die slowly
Good thing we takin' it slowly
Live it out in the middle of the world
Gotta lay a lot
Gotta slay a lot
Live it out in the middle of the world
Gotta lay a lot
Gotta slay a lot
I'm runnin' a race that's unholy
They dump everything that they told me
Young winners
We might die slowly
Good thing we takin' it slowly
Slowly
Slowly

They out for my heart
Boy
Ha
Crop

I'm runnin' a race that's unholy
They dump everything that they told me
Young winners
We might die slowly
Good thing we takin' it slowly
Slowly
Slowly

CREDITS
Performer: Logan Vance
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Never On The Line
Wrong Floor Cinema

Verified Verified Artist

Wrong Floor Cinema
Wrong Floor Cinema is a four-piece alternative rock band formed in 2025 by Orson Vell, Marlow Pin, Crispin Dayrate, and Niles Weatherby. The group came together through a series of badly organized rehearsal-room bookings, after repeatedly being assigned the same basement studio by mistake. They kept the name Wrong Floor Cinema because it matched their shared taste for overlooked places, awkward situations, and things that feel slightly out of sequence.

Their music blends sharp pop-punk guitars, dry spoken-sung vocals, clipped rhythms, melodic bass lines, and an offbeat sense of humor. Although their sound draws heavily from 1990s alternative rock, they avoid straightforward nostalgia, mixing that influence with modern production, restrained arrangements, and lyrics built around mundane frustrations, social discomfort, bad timing, and small personal disasters.

Orson handles vocals and rhythm guitar, Marlow plays lead guitar, Crispin plays bass, and Niles is on drums. Together, they have built a reputation for tightly controlled live performances that still feel unpredictable, balancing catchy melodies with deadpan delivery and a slightly detached stage presence. Wrong Floor Cinema sounds like a band that arrived late, entered through the wrong door, and decided to stay anyway.
Track(s)
Wake Up, Gary 27611 03:28
Never On The Line 23072 02:48
The Man Who Sold the Rain 22805 02:42

Never On The Line

Wrong Floor Cinema


I called your number
It learned my name
It said the same thing
Every day

You had a reason
Then you had two
Then you had nothing
Better to do

Ring ring
No sign
Good luck
Next time

You were never on the line
Never on the line
Always almost there
Never on the line

You were never on the line
Never on the line
I got tired of waiting
For a person made of signs

You sent a message
Without a dot
Said you were coming
Then you forgot

You had a system
You had a plan
You had a talent
For not being where I am

Ring ring
No sign
Good luck
Next time

You were never on the line
Never on the line
Always almost there
Never on the line

You were never on the line
Never on the line
I got tired of waiting
For a person made of signs

No big ending
No goodbye
Just your silence
Wearing a tie

You were never on the line
Never on the line
Always almost there
Never on the line

You were never on the line
Never on the line
I stopped calling
You stayed right on time

CREDITS
Performer: Wrong Floor Cinema
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Sin Pedir Perdon
Gitana Renata

Verified Verified Artist

Gitana Renata
Gitana Renata is a multifaceted artist whose work is deeply rooted in her Spanish heritage. Born and raised in a vibrant community steeped in cultural traditions, Gitana’s music captures the essence of her background while simultaneously exploring contemporary themes. With her solo track "Sin Pedir Perdon," she showcases an ability to weave the emotional richness of her ancestry into modern sounds, creating a bridge between past and present.

Her artistry is characterized by a seamless blend of rhythms, melodies, and heartfelt lyrics that resonate with listeners on multiple levels. Though "Sin Pedir Perdon" is her only currently available track, it serves as a strong introduction to her style, hinting at the potential for a diverse catalog that may include influences ranging from flamenco to pop. Gitana’s vocal identity is marked by its emotional depth, allowing her to convey complex sentiments with sincerity and passion.

As Gitana Renata continues to develop her musical repertoire, audiences can anticipate a collection of songs that reflect not only her personal journey but also the universal themes of love, resilience, and cultural pride. Each upcoming release promises to further explore the intersections of her heritage and modern musical landscapes, making her an artist to watch in the evolving independent music scene.
Track(s)
Sin Pedir Perdon 27163 03:24

Sin Pedir Perdon

Gitana Renata


Yeah
No voy a llorar por ti
Not tonight
No

Me llamas tarde
I let it ring
Ya no me compras
With anything

Tenías mi tiempo
Tenías mi voz
Now you get silence
Cuando digo adiós

No soy la misma
You knew before
Cerré tu puerta
Without a war

Mira mi cara
Mira bien
Perdiste todo
Por no querer

I gave you chances
Una dos tres
Now I move different
No vuelvo otra vez

No estoy dolida
Estoy mejor
I changed the number
And the color

Sin pedir perdón
I dance on my own
Ya no me rompes
Ya no me tienes

Sin pedir perdón
I’m good when I’m gone
Tú me perdiste
Baby you’ll feel it

No no no
No me llames amor
No no no
Ya cambió la canción

Sin pedir perdón
I dance on my own
Ya no me rompes
Ya no me tienes

Tu foto sigue
But not with me
Me veo más fuerte
Since I got free

No busco drama
No busco show
Si preguntan por mí
Tell them I glow

Tengo mis planes
Tengo mi paz
Tú fuiste casi
But never enough

I don’t do revenge
I don’t do regret
Solo camino
Y tú no estás

I gave you chances
Una dos tres
Now I move different
No vuelvo otra vez

No estoy dolida
Estoy mejor
I changed the number
And the color

Sin pedir perdón
I dance on my own
Ya no me rompes
Ya no me tienes

Sin pedir perdón
I’m good when I’m gone
Tú me perdiste
Baby you’ll feel it

No no no
No me llames amor
No no no
Ya cambió la canción

Sin pedir perdón
I dance on my own
Ya no me rompes
Ya no me tienes

No quiero flores
No quiero explanation
You had my heart
You missed the location

No necesito
Tu versión
I got my body
Back on control

Si tú me ves
Don’t come too close
I’m not your girl
Ya se acabó

Sin pedir perdón
I dance on my own
Ya no me rompes
Ya no me tienes

Sin pedir perdón
I’m good when I’m gone
Tú me perdiste
Baby you’ll feel it

No no no
No me llames amor
No no no
Ya cambió la canción

Sin pedir perdón
I dance on my own
Ya no me rompes
Ya no me tienes

No voy a llorar por ti
Not tonight
Sin pedir perdón

CREDITS
Performer: Gitana Renata
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Run Gone Call Still
Nate Kessler

Verified Verified Artist

Nate Kessler
Nate Kessler was born in 2003 in Billings, Montana, a place where the highways stretch for miles and the nights feel too quiet. He grew up in a rundown house on the edge of town, where his father worked as a mechanic and his mother sang old folk songs at a roadside bar. Music was always around—not in studios or lessons, but in the hum of car engines, the crackle of old radio stations, and the late-night melodies his mother would hum when she thought no one was listening.

As a kid, Nate spent hours in his father’s garage, picking up discarded metal and turning them into makeshift instruments, fascinated by the way sound traveled through objects. He taught himself to play guitar on a beat-up acoustic he found at a flea market, learning songs by ear and scribbling lyrics in a tattered notebook.

By the time he was 16, he was playing small gigs at diners and bars, earning just enough for gas money and late-night coffee. At 18, he packed his life into a backpack and left Montana, hitchhiking from state to state, crashing on strangers' couches, and performing anywhere that would let him. Cities blurred together—Seattle, Portland, Denver—until he found himself in a tiny basement studio in Chicago, recording a song with borrowed time and borrowed gear.

That song, Run Gone Call Stil, wasn’t perfect—it was rough, restless, and raw. But it caught fire. People connected to its unpolished honesty, its sense of movement with no clear destination. Now, Nate’s music carries that same energy—a mix of wanderlust, late-night reflections, and the quiet weight of leaving things behind. He’s not chasing fame. He’s chasing the next song, the next road, the next moment that feels real.
Track(s)
Run Gone Call Still 34738 03:29

Run Gone Call Still

Nate Kessler


Clock blinks—red light low glow
Hands shake—cold air don’t know
Steps loud—empty street bends
Phone rings—breathe in no send

Wait—too long night turns grey
Still—no sound lost my way

Run—feet numb sky don’t care (yeah)
Gone—no map just thin air (whoa)
Call—no name no one there
Still—keep on nowhere (oh-oh yeah)

Glass cracks—rain hits won’t stay
Doors close—fast moves one way
Head down—loud thoughts won’t end
Heart skips—wrong turn not then

Why stop?—no time no place
Keep on—no past no trace

CREDITS
Performer: Nate Kessler
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Truth Shouts Back
Arem Khenn

Verified Verified Artist

Arem Khenn
Arem Khenn is a minimalist, introspective rap artist whose music exists between control and fracture, moving from slow, restrained beginnings into tightly wound, high-pressure rhyme structures. His work focuses on self-interrogation, memory, and the uneasy line between truth and deception, treating the past as evidence rather than confession.

Rather than offering release, Arem Khenn builds tension, using silence, repetition, and call-and-response moments where the inner voice answers back in single-word shouts. His delivery favors precision over excess, allowing emotional weight to surface without spectacle.

Arem Khenn’s songs are available exclusively on Filodyo, where his catalog remains intentionally contained, resisting overexposure and maintaining a controlled, immersive listening environment. Visually and sonically, he inhabits enclosed, dimly lit spaces, emphasizing honesty, restraint, and unresolved conflict over comfort or resolution.
Track(s)
Truth Shouts Back 392020 04:03

Truth Shouts Back

Arem Khenn


Lights off room breathes heavy thoughts get loud
Mirror talks back but it never tells me how
I built walls just to feel safe inside
Funny how the safest place is where the truth goes to hide

Heart ticking like a bomb with a pause
I’m calm on the surface chaos under the laws
I ask myself questions I don’t wanna hear
If I’m honest with me will I disappear?

I grew up learning silence was strength
Learned to smile wide hide the cracks in the length
Every promise felt borrowed every win felt fake
If I fail on purpose at least it’s my mistake

I carry names they don’t know how to spell
Carry blame like a badge wear it well
I don’t trust my thoughts when they sound too kind
Cause comfort’s just a trap with a pleasant design

Truth feels sharp lies feel warm
I confuse being numb with being calm
Every memory fights to be the boss
Was it discipline building me or fear at a cost?

If I peel back layers what’s left of me?
A man or a mask with good memory?
I hear my past knock I don’t answer calls
But it’s yelling my name through the drywall walls

Tell me what’s real tell me what’s wrong
I been holding my breath way too long
Every lie feels right till the truth comes through
I don’t know who I am but I know it’s not you

Inside my head there’s a war I chose
Between what I show and what nobody knows
When the dark speaks up I answer too

Shout: Truth!
Shout: Fear!
Shout: Me!

I move quick now thoughts double-time
Mind runs laps like it’s training for crime
I edit my feelings like tracks in a mix
Cut the pain low but it still exists

They say heal yourself yeah easy to say
When the damage taught you how to get paid
I monetize pressure I profit from doubt
Turn panic to patterns then scream it out loud

I don’t chase peace I interrogate calm
Ask why it leaves when I’m holding the psalm
I know every trick that my ego plays
Calls survival a crown calls running a phase

I don’t want comfort I want it clear
If I’m broken say it don’t sugar my fear
I been friends with the worst part of me
Now I’m asking if it’s time to leave

If I stop fighting who am I then?
If I stop hurting do I lose my pen?
I don’t trust silence it feels like a test
Like peace is a lie I don’t deserve yet

Tell me what’s real tell me what stays
When the lights go out and the crowd fades
Every voice in my head wants a say
But only one of them tells it straight

I built my name from scars and doubt
From locked doors I had to break out
When the dark speaks up I answer too

Shout: Truth!
Shout: Pain!
Shout: Now!

If I face myself and don’t look away
Maybe fear won’t have the final say
I don’t need saving I need to see
What’s left when the noise stops haunting me

Shout (whispered): Me

CREDITS
Performer: Arem Khenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

On the Road Again
Sara Durian

Verified Verified Artist

Sara Durian
Sara Durian is Germany’s undisputed disco queen, electrifying dance floors since the early 2000s with her glitter-drenched beats and futuristic soul. Born in Düsseldorf and raised on a steady diet of Kraftwerk, Donna Summer, and underground Berlin house parties, Sara blends retro grooves with neon-drenched modernity. Her signature sound? A cosmic fusion of French touch, Eurodisco, and synth-heavy pop—unmistakably hers, instantly addictive.

From smoky Berlin clubs to Tokyo fashion runways, Sara has turned every stage into a mirrorball-lit sanctuary. Her voice—sultry, robotic, divine—has been sampled by countless DJs but never duplicated. Whether she’s spinning vinyl or headlining queer festivals across Europe, Sara owns the night like a shimmering phantom of funk.

Still active and more radiant than ever, her legacy is not nostalgia—it’s now. With platinum blond curls and chrome stilettos, she struts through time with a wink and a bass drop.

Her mantra? “All drama, all disco.”
Track(s)
On the Road Again 195835 02:31

On the Road Again

Sara Durian


You had me sold with a whisper
Pulled me close
Said
"You're my best friend"
Now I'm standin' on the shoulder
Of the highway while you're leavin' again

Well
Baby
Don't worry about me
I got my boots and my keys
I got everything I need
And when my thumb gets me home
I'm gonna go out on my own
Gonna find my rainbow's end
And I'll be on the road again

You packed me up in the morning
After you picked me up in the night
And I know you didn't mean it
When you said you were my last ride

Well
Baby
Don't worry about me
I got my boots and my keys
I got everything I need
And when my thumb gets me home
I'm gonna go out on my own
Gonna find my rainbow's end
And I'll be on the road again

Well
When I get to heaven
I'm gonna know
'Cause it's gonna look like New Mexico

And
Baby
Don't worry about me
I got my boots and my keys
I got everything I need
And when my thumb gets me home
I'm gonna go out on my own
Gonna find my rainbow's end
And I'll be on the road again

Yeah
I'll be on the road again
Oh
Baby
I'll be on the road again

CREDITS
Performer: Sara Durian
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Left Me Dancing
Velvet Tax

Verified Verified Artist

Velvet Tax
Velvet Tax is a young female singer hailing from Poland, infusing her music with a vibrant sense of self and personal narrative. With her single "Left Me Dancing," she introduces listeners to her raw, emotive vocal style that draws from her life experiences and the complexities of modern relationships. Her approach to songwriting is deeply personal, often blending introspection with relatable themes, which resonates well with a diverse audience seeking authenticity in music.

Although her catalog currently features only "Left Me Dancing," Velvet Tax's artistry hints at a promising evolution. With the ability to weave intricate melodies and poignant lyrics, she creates a sonic landscape that reflects both melancholy and joy. This duality sets the stage for future projects that are likely to explore various moods and genres, showcasing her versatility as an artist. Each subsequent track is anticipated to build upon the foundation laid by this debut, further enriching her identity as a musician.

As Velvet continues to develop her sound and expand her repertoire, her potential for growth is evident. Whether through collaborations with fellow artists or exploring different musical styles, she is poised to make a significant mark within the independent music scene. With every new release, fans can expect her captivating storytelling and expressive vocals to flourish even more, inviting them along on her artistic journey.
Track(s)
Left Me Dancing 35178 04:28

Left Me Dancing

Velvet Tax


You left me crying
But I came back dancing
Mm
I came back dancing

You took the keys
But not the door
You took your coat
But not the storm

I kept the dress
You never liked
Put on my heels
And killed the lights

You thought I’d call
You thought I’d break
You thought my heart
Would learn your name

But I found myself
At half past two
In a crowded room
Not missing you

I let the mirror see me
With my makeup running
Then I wiped it clean
Like I saw you coming

You were the lesson
I was the flame
You left the woman
But she changed her name

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing

I saw your friends
They looked surprised
Like I should hide
Like I should cry

I smiled so sweet
They looked away
I guess revenge
Can wear a face

No angry texts
No midnight scene
No begging you
To come to me

I changed the song
I changed the room
I changed the girl
Who waited for you

I let the mirror see me
With my heart wide open
Then I sewed it up
With a little gold thread

You were the reason
I hit the ground
But I’m the reason
I’m rising now

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing

I was a house with the windows open
You were the match in a careless hand
I was the girl who kept forgiving
Now I’m the woman you can’t command

I don’t hate you
That’s too easy
I don’t need you
That’s the twist

I don’t want you
To come save me
I just want you
To see this

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

You left me lonely
But I came back shining
You left me broken
But I came back diamond

You left me crying
But I came back dancing

Da-da-da-dancing
I came back dancing

CREDITS
Performer: Velvet Tax
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Summer Fling
Solomon Dupree

Verified Verified Artist

Solomon Dupree
Meet Solomon Dupree, the dance sensation from Chicago shaking the Windy City with his electrifying beats. This independent artist with a contagious ‘happy’ vibe and enough swagger to spare, has a knack for turning even the gloomiest days gleaming.

Born and raised in the soulful echoes of Chicago's music scene, Solomon fell hard for the rhythm of his city. His music, an infectious blend of classic Chicago house meets modern dance pop, has a charisma that few can resist. His undeniable talent is like the Sears Tower standing tall among clusters of hut-sized talents, dominating the skyline of Chicago's indie dance scene.

His standout track "Summer Fling" brings to mind the magic of a Lake Michigan shoreline party, awash with the peach-pink hues of a Midwestern sunset. Just like the city's legendary deep-dish pizza, Solomon serves up consistent layers of rich, flavourful beats, with a prioritization on taste and quality that gives his music that extra sizzle.

Dupree's journey has been like the 'L' train, an exhilarating ride with ups, downs, and scenic views, leaving passengers (or in this case, listeners) with a joyride of memorable moments. One thing's for certain – when it comes to the dance scene in the City of Big Shoulders, Solomon Dupree is a name you simply can't miss. All aboard the Dupree express for a non-stop dance explosion!
Track(s)
Summer Fling 22616 02:48

Summer Fling

Solomon Dupree


We got a little time
Let's burn a little more
Soakin' in the sunshine
In love with the shore
And when the night falls
I get a little bored
I think of you

In a sundress (Ooh)
Dancin' with the moonlight (Ah)
Can't get enough
Let's fall in love

We're all just a summer fling
Who cares if it ends?
We're here for the ride
One last goodbye
Mm-mm
We're all just a summer fling
And even when it ends
We're here for the ride
One last goodbye
Mm-mm

Ooh
Ooh

We're all just a summer fling
Who cares if it ends?
We're here for the ride
One last goodbye
Mm-mm
We're all just a summer fling
And even when it ends
We're here for the ride
One last goodbye
Mm-mm

Ooh
Ooh

CREDITS
Performer: Solomon Dupree
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

She Owns The Night
Dora The Clone

Verified Verified Artist

Dora The Clone
Imagine a futuristic pop diva hailing from the chromatic labs of Clone City, and you're partway to encapsulating the vibrant phenomenon known as Dora The Clone. This independent artist dances to the beat of her own drum machine, captivating audiences with her disco-dusted, cybernetic symphonies.

Dora's music, a technicolour dream of dance-floor beats and electrifying melodies, is as enigmatic as her origins in the post-apocalyptic streets of Clone City. With a sound that weaves together the energy of club culture and the pulsing heart of electro-pop, her tunes are guaranteed to make neural pathways light up like a Friday night in Blade City.

Every single one of her infectious grooves seems to command, "Beam me up, Scotty!" Of special note is her big hit "She Owns The Night," an anthem for audacious androids and human party-goers alike. The track throbs with vibrant synth and stuttering beats, overlaid with Dora's crystal-clear vocals, making every listener feel like they're cruising through the neon-soaked metropolis under a night sky of silver stars.

With Dora The Clone, expect the unexpected: a tantalizing futuristic world brought to life through pulsing dance heaters and shimmering pop anthems. Underneath the cosmic glitz and glamour, you'll find a heart that beats in binary and a soul that vibrates at gigahertz frequency. Hold onto your hoverboards folks, because Dora The Clone is here to redefine the future of pop – and she's doing it in binary code.
Track(s)
She Owns The Night 34991 03:49

She Owns The Night

Dora The Clone


She walks in slow
But the room moves first
No crown no show
Still they know her worth

She don’t ask for permission
She don’t wait by the door
Got a heart made of rhythm
And a name they can’t ignore

Red lips calm eyes
Turning silence into gold
She’s been through the fire
Now she wears it like a coat

You can’t dim her down
She’s already light
She don’t chase the crowd
She owns the night

She owns the night
Moves like the bassline
Cool under pressure
Danger in the waistline

She owns the night
No need to prove it
One look one step
Everybody feels the music

She don’t need love to feel alive
She don’t need stars to make her shine
She owns the night
She owns the night

Oh-oh she owns it
Oh-oh she knows it
Oh-oh she owns it
She owns the night

No tears on the dance floor
She left them in the rain
Put her pain in a black dress
Turned it into champagne

They said “Stay smaller”
She said “Watch me rise”
Now the mirror gets jealous
When she looks inside

You can’t dim her down
She’s already light
She don’t chase the crowd
She owns the night

She owns the night
Moves like the bassline
Cool under pressure
Danger in the waistline

She owns the night
No need to prove it
One look one step
Everybody feels the music

She don’t need love to feel alive
She don’t need stars to make her shine
She owns the night
She owns the night

Every heartbreak made her louder
Every goodbye gave her power
Now she dances on the hour
Like the world is hers to devour

No more waiting
No more hiding
She’s the thunder
She’s the lightning

She owns the night
Moves like the bassline
Cool under pressure
Danger in the waistline

She owns the night
No need to prove it
One look one step
Everybody feels the music

She don’t need love to feel alive
She don’t need stars to make her shine
She owns the night
She owns the night

Oh-oh she owns it
Oh-oh she knows it
Oh-oh she owns it
She owns the night

CREDITS
Performer: Dora The Clone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Old Good Days
Calvin Ray Monroe

Verified Verified Artist

Calvin Ray Monroe
Say hello to Calvin Ray Monroe, Manhattan's disco dynamo and independent music's best kept secret. He's a man turning his flat into a vibrant vortex of vinyl, vintage beats and vivacious zest.

Calvin's music is a love letter to brighter, cheerier and simpler times. Tucked away in his cosy, compact Manhattan studio, he's crafting sparkling dance tunes that taste like sunshine straight from an 8-track. Layers of lush, lighthearted beats laid with a playful, witty flair that gives his music a delightful "Happy Hour" allure all day long.

"Old Good Days", his juggernaut track, is the kind of song that'll huff, puff, and blow your cobwebs away. It tiptoes the line between nostalgic and novel - a dance-off with the past, in the present. Monroe's sound will make you groove, throw your hands up, and boogie - loving life even in your living room.

So, ladies and gentlemen, bring out your disco shoes and shine up your bright moods—the dance-floor awaits you with Calvin Ray Monroe's tunes. Whisked up on a whirlwind of happiness, we guarantee you'll forget all about yesterday and probably tomorrow too. Such is the magic of Calvin—the kind that's rare, real, and quite remarkably his own.
Track(s)
Old Good Days 29901 03:13

Old Good Days

Calvin Ray Monroe


I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

They want that old me back
Now that version in the past
When I was a young kid
I just wanted me a bag

On the corner with my people
In the middle of the night
Everybody moving careful
Just trying to make it right

Man I been hot
I been on my own thing
Riding with a Taurus
I was on some horoscope thing

All my people winning
Man we don't ever forfeit
Me and my people never moving on no weak stuff

I'm in this place with my woadies
I'm in this place with my homies
I'm in this place with the people
That really been down
And the ones that really been knowing me

I'm in this place with the people
That said they would ride for me
And the ones that would've stood with me

I'm in this place with the people
That told me I couldn't do it
But now I be doing me

I'm on a different type time
Girl you know I been on my grind
Tryna move all of my people up out the hood
Get 'em out of the bind

I know that all of my people got demons
But that's why I keep all my angels around
I told all my people
"If you hold me down
Then I'ma hold you down"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"

I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"

CREDITS
Performer: Calvin Ray Monroe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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