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Just Like That
Checkmate
Verified Artist
Checkmate
Checkmate formed in London out of restlessness rather than intention. Different neighborhoods, different backgrounds, same impulse: to move, to react, to play music that refuses to stand still. Ska was never a costume for them, it was a language. Fast rhythms, sharp turns, humor used as defiance. They grew up surrounded by noise, contradictions, and crowded streets, and their sound reflects that constant motion.
Their music is playful but not careless, political without slogans, chaotic but precise. Each member brings a different energy, and none of them try to smooth those edges out.
Checkmate thrives on contrast: bright melodies against nervous tension, joy next to disruption. What comes out is loud, physical, and alive. Their releases are heard only on Filodyo and NOT FM, where movement matters more than polish and nothing is forced to sit quietly in the background.
Just Like That
Checkmate
Bus is late but the sun is out
Someone’s laughing way too loud
Corner shop knows my face
Same old song same old place
Shoelace broke still on time
Found a coin lost my mind
Nothing special nothing deep
But today’s been good to me
Radio plays that beat again
Head goes left feet say “amen”
I wasn’t looking for a sign
But the street feels right in time
Life’s doing fine yeah look around
Sticky tables familiar sounds
Not a movie not a plan
Just a good day where I stand
Life’s doing fine no big parade
Just walking slow no rush today
If this is all I’m cool with that
Yeah I like it just like that
Coffee spills laugh it off
Wrong turn but I don’t stop
Shoes too tight shirt’s too thin
Still smiling when I walk in
Someone hums the tune I know
Traffic moves then says hello
Nothing changed still feels new
Guess the trick is how you view
No winning streak no finish line
Just wasting time and feeling fine
If this moment’s all I get
I’m not mad at it yet
Life’s doing fine yeah look around
Bent street signs old beat-up towns
Not a headline not a scam
Just a good day where I stand
Life’s doing fine no big parade
Late night talks cheap lemonade
If this is all I’m cool with that
Yeah I like it just like that
Maybe tomorrow’s loud and rough
But today’s already enough
No promises no advice
Just breathing in a decent life
Life’s doing fine hear that horn
Someone dancing someone bored
Not a dream not a trap
Just a moment and I’ll clap
Life’s doing fine I’ll say it twice
Not perfect but it’s nice
If this is all I’m cool with that
Yeah I love it just like that
Just like that
Yeah just like that
CREDITS
Performer: Checkmate
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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No Tomorrow Needed
Roxelle
Verified Artist
Roxelle
Roxelle is a Romanian-born singer and songwriter currently based in the United Kingdom. Growing up between Eastern European traditions and Western pop culture, she developed an early fascination with rhythm, melody, and visual storytelling. Her background gave her a distinctive sense of contrast, mixing emotional depth with bold self-expression, something that would later become central to her artistic identity.
After relocating to the UK in her early twenties, Roxelle immersed herself in the underground pop and electronic scenes, refining her sound and performance style. Influenced by modern pop, dance, and subtle R&B textures, she crafts songs that balance confidence with vulnerability. Her vocals move effortlessly between smooth, controlled delivery and striking, attitude-driven hooks, creating a sound that feels both intimate and commanding.
Roxelle’s music explores themes of independence, desire, and emotional resilience, often framed through sleek, contemporary production. Known for her strong visual aesthetic and fashion-forward presence, she approaches music as a complete artistic experience rather than just sound. With a growing catalog of releases, Roxelle positions herself as a new-generation pop artist shaped by movement, migration, and self-definition.
No Tomorrow Needed
Roxelle
Heels hit the floor I feel it start
Bass in my chest steady and sharp
No explanations no excuse
I move the room just how I choose
Eyes follow motion not my name
I don’t repeat I don’t stay same
One step closer to the sound
I don’t wait I turn around
I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role
I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cross the line
Disco strings rise
Bass keeps talking
Hands in the air
No words just timing
Mirrors shake when I pass through
Every angle feels brand new
No permission no delay
I decide how long I stay
Heat is building in the crowd
I don’t need to say it loud
Count it in feel it land
Everything is in my hands
I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role
I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cro
Jacket on I leave it open
Streetlight glow my focus broken
Every sound pulls me in
I don’t ask where we’ve been
I don’t read the signs twice
I move once that’s my advice
If it feels right I don’t slow down
I let the night spin me around
No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)
No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)
Every step is calculated
Still it looks so effortless
I don’t wait to be invited
I arrive I don’t impress
Crowd reacts I don’t chase
I just take up space
Hear my name inside the bass
I don’t rush I keep my pace
Yeah
She don’t plan it she appear
Whole room shift when she near
No tomorrow in her mind
Only now perfect time
She don’t promise she decide
Every move amplified
I’m just watching from the side
Tryna keep up with her stride
No delay no rewind
She already crossed the line
When she move place complies
That’s the signal that’s the sign
No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)
No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)
No tomorrow (no tomorrow)
Needed (needed)
No tomorrow (no tomorrow)
I don’t need it (don’t need it)
No tomorrow (no tomorrow)
Needed (needed)
If I want it (if I want it)
I’m in it (I’m in it)
CREDITS
Performer: Roxelle
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Static on the Line
Ryder James
Verified Artist
Ryder James
Ryder James is a rising pop-soul artist whose warm vocals and timeless style bridge the gap between classic soul storytelling and modern pop production. With a voice that carries both grit and grace, he creates songs that feel instantly familiar yet refreshingly new.
His debut single, Static on the Line, is a captivating blend of heartfelt lyricism and smooth, groove-driven instrumentation. Produced by Filodyo and released exclusively on NOT FM, the track showcases Ryder’s ability to turn everyday moments into powerful musical narratives.
Raised on a steady diet of soul legends and contemporary pop innovators, Ryder brings authenticity and emotional depth to every performance. Static on the Line is more than just a song—it’s an introduction to an artist who is here to connect, move, and inspire listeners worldwide.
Static on the Line
Ryder James
Mmm… yeah
Turn it up
Found your note between the bills folded twice
Three crooked letters never said it nice
Kitchen radio is drifting off-time
Wrong station playing but it suits the night
I dial your number — hear a click then air
Flashing digits on the stove just stare
Every heartbeat in my chest misaligns
Still I’m listening for a sign
There’s static on the line but I still hear you fine
In broken little sparks we talk like power lines
If silence is a sign then prove me wrong tonight
Tune me in or cut me loose — there’s static on the line
City bus sighs at a midnight stop
Paperback angel at a corner shop
Borrowed coat hangs wide on my frame
Pockets full of change and a half-drawn name
Counting rail ties stepping over goodbyes
Copper on my tongue from unspoken replies
I hold my breath as if it might realign
What keeps crossing in my mind
There’s static on the line but I still hear you fine
In broken little sparks we talk like power lines
If silence is a sign then prove me wrong tonight
Tune me in or cut me loose — there’s static on the line
Maybe I’m a bent antenna in a storm I knew
Turn me just a single degree — I point back to you
If the signal fades and the bars go blind
Call me by the name you underlined
Line… line… static on the line
(Keep talking)
Line… line… static on the line
There’s static on the line but I still hear you fine
In broken little sparks we talk like power lines
If silence is a sign then prove me wrong tonight
Tune me in or cut me loose — there’s static on the line
Mmm… tune me in
Static on the line
CREDITS
Performer: Ryder James
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Parle Moins (feat M...
Kessy
Verified Artist
Kessy
Kessy is a France-born artist with African roots, shaped by a sound environment that blends urban pop, Afro-influenced rhythms and understated confidence. Raised between cultures, her music reflects a calm but assertive attitude, focusing on presence rather than excess. She is known for her controlled vocal delivery, minimal phrasing and lyrics that draw clear boundaries without dramatization.
With Parle Moins, Kessy joins forces with Malik Joon, whose sharp, rhythm-focused vocal style adds a contrasting edge to the track. Their collaboration is built on balance: restraint over intensity, clarity over noise. The song captures a modern, radio-friendly Afro-pop aesthetic while keeping a cool, grounded tone.
This release marks their meeting point on Filodyo and NOT FM, where both artists come together through a shared approach to contemporary sound and modern production values. Parle Moins stands as a confident introduction to Kessy’s artistic direction: direct, composed and unmistakably current.
Parle Moins (feat Malik Joon)
Kessy
Ouais
Hmm
Parle moins
Tu parles trop tu dis rien
Toujours sûr jamais clair
Tu me regardes de loin
Comme si j’étais à refaire
Tu dis “viens” tu dis “reste”
Mais tu sais pas pourquoi
Moi je lis dans les gestes
Pas dans ce que tu crois
J’ai pas besoin d’expliquer
Je me vois très bien sans toi
Si tu viens pour improviser
Autant rester là-bas
Parle moins regarde mieux
J’ai déjà compris le décor
Parle moins regarde mieux
J’attends pas que tu sois fort
Parle moins regarde mieux
Je perds pas mon équilibre
Parle moins regarde mieux
Je suis calme je suis libre
Tu veux suivre mon tempo
Mais tu marches à côté
Chez moi tout est simple
Faut savoir rester vrai
T’as appris à parler vite
À promettre sans voir
Mais moi je coupe le son
Quand ça sonne trop noir
Yeah
J’arrive clean sans détour
J’fais pas l’acteur dans le jour
Trop de bruit pour peu d’idées
Moi j’avance pas besoin d’jouer
Elle sait lire entre les lignes
Moi j’dis moins j’fais plus
Si tu veux rester dans le film
Faut être réel pas flou
Parle moins regarde mieux
J’ai déjà compris le décor
Parle moins regarde mieux
J’attends pas que tu sois fort
Parle moins regarde mieux
Je perds pas mon équilibre
Parle moins regarde mieux
Je suis calme je suis libre
Ouais
Parle moins
C’est mieux comme ça
CREDITS
Performer: Kessy
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Ya No Me Duele
Camila Reyes
Verified Artist
Camila Reyes
Camila Reyes was born in Seville, Spain, in 1992, and has spent most of her life surrounded by the vibrant rhythms and colors of Andalusia. By profession, she is a skilled ceramic artist, known for her intricate hand-painted tiles inspired by Moorish patterns and flamenco motifs. Her work has been exhibited in boutique galleries across Spain, yet music has always been her truest form of self-expression.
Raised in a family where boleros and rancheras echoed through the kitchen, Camila began singing at small local gatherings, blending traditional Latin folk with her own soulful touch. Over the years, her voice became a bridge between the streets of Seville and the broader Latin diaspora, carrying both joy and melancholy in every note.
Today, Camila records all of her music exclusively for Filodyo, preserving an intimate connection with her listeners. Her latest release, Ya No Me Duele, is a testament to resilience and emotional rebirth, capturing the strength of moving on without bitterness.
Ya No Me Duele
Camila Reyes
Ya no me tiembla la taza del té
cuando tu nombre se cruza en mi piel
La casa cruje igual que ayer
pero mi sombra ya no te ve
Dejé tus cartas en el alfeizar
el viento sabrá si las quiere llevar
Mis manos no piden no quieren cerrar
lo que no abraza… no vuelve a entrar
Ya no me duele
ni tu voz ni tu eco
El silencio en mi mesa
es mejor que tu juego
Ya no me duele
ni la flor ni el invierno
Yo me quedo de pie
y tú te vas con el viento
Me dolió
pero no me rompió
Ya no me duele
ni el reloj ni el destino
Mis pasos no buscan
ya tienen su camino
CREDITS
Performer: Camila Reyes
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Disco Machiavelli (...
Herr Casino
Verified Artist
Herr Casino
Herr Casino, the enigmatic artist from Vienna, effortlessly blends the vibrant worlds of dance, disco, and electronic pop. With an uplifting energy that resonates through tracks like "Kaiser Tempo" and "Disco Machiavelli," his music invites listeners to revel in moments of joy and hope. Each song showcases his playful vocal identity, characterized by a male voice that carries a sense of infectious enthusiasm, making his work perfect for both lively dance floors and introspective evenings.
Across his catalog, Herr Casino's tracks are united by their energetic beats and evocative themes. Songs like "Kaiser Tempo" radiate happiness and inspiration, while "Disco Machiavelli" explores deeper emotional landscapes, balancing loneliness with uplifting melodies. This duality reflects his artistic vision, where joyous dance music meets introspective storytelling, creating a rich tapestry of sound that captivates and engages listeners. Whether you're looking to dance or reflect, Herr Casino's music provides the perfect backdrop for a variety of moods and moments.
Disco Machiavelli (ft Miss Voltage)
Herr Casino
Ladies and gentlemen
From Vienna to Miami
From the palace to the party
They call him
Disco Machiavelli
Not a prince
Not a saint
Just trouble in a velvet jacket
He walks in late with a golden cane
White silk shirt and a champagne stain
Everybody knows but nobody tells
He buys bad luck and sells it well
Midnight phone no caller ID
Three black cars on a one-way street
He says “my dear don’t follow the rules”
Then disappears by the swimming pool
He’s got the city on a string
He makes the mirror wanna sing
Too much charm too much heat
Dancing like a scandal in the street
Disco Machiavelli
Oh-oh he’s ready
Heart so heavy
But the beat so steady
Disco Machiavelli
Ciao baby ciao
Everybody wants him
Nobody knows how
Machiavelli
Machiavelli
Nicht so schnell mein Freund
She met him once at the Hotel Noir
Red wine smile and a stolen car
He said “love is politics darling you’ll see”
Then left her name on the balcony
Velvet gloves dangerous plans
Kissing rings on invisible hands
He don’t dance he negotiates
With the DJ and the city gates
He’s got the night under control
Silver shoes and a borrowed soul
Too much style too much speed
Living like the headline of the week
Disco Machiavelli
Oh-oh he’s ready
Heart so heavy
But the beat so steady
Disco Machiavelli
Ciao baby ciao
Everybody wants him
Nobody knows how
Signorina
Listen carefully
Power is a dance floor
And everybody pays entry
He said it with a smile
Then he vanished in the bassline
Machiavelli
Machiavelli
Dance with the devil
But dress like heaven
Machiavelli
Machiavelli
Too much drama
Too much leather
Disco Machiavelli
Oh-oh he’s ready
Heart so heavy
But the beat so steady
Disco Machiavelli
Ciao baby ciao
Everybody wants him
Nobody knows how
Disco Machiavelli
Oh-oh he’s ready
Velvet panic
Television confetti
Disco Machiavelli
Ciao baby ciao
He was here for a minute
He’s a legend now
From Vienna to Miami
From the palace to the party
Disco Machiavelli
Ciao baby ciao
CREDITS
Performer: Herr Casino
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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When You Hold Me
Theo Kingsley
Verified Artist
Theo Kingsley
**Theo Kingsley** is a spirited, independent artist hailing from the colorfully eclectic streets of Manhattan. Known for his vibrant soundscapes and captivating lyrical prowess, Kingsley stands as a fresh beacon of musical innovation in the often repetitive sound waves of the modern music industry.
Kingsley's journey into the pulsating heart of music began at a tender age when he traded the traditional toys of childhood for a small, hand-me-down guitar. His fingers found their voice on that six-string stage, and soon, Kingsley, much like his favorite pair of black, worn-out jeans, fit comfortably and inextricably into the music world. His knack for crafting heart-stirring melodies and witty bars eventually culminated in his most well-recognized piece yet, "Gentle Whisper", a deeply evocative track that tackles complexity concealed in simplicity.
Over the years, Kingsley continually defies the boundaries of genre by fusing alternative rock, pop, and velvety hints of blues into his sonic concoctions. His music, much like the delicious bagel at a corner bodega, offers something for every taste. A regular performer at local Manhattan venues, Kingsley utilizes the intimate settings as a canvas to refine his musical flair and keep his connection with his audience personal. He may not be a superstar (yet), but to underestimate Theo Kingsley would be like dismissing a New York slice - a regrettably big mistake.
When You Hold Me
Theo Kingsley
When you hold me
It's paradise (paradise)
I feel so free (la-la-la)
Body moves slow to the melody
Mhm-mm
Ooh-ooh
Ooh-ooh
And everything stops
Mmm-mmm
Mmm-mm
Every time when you hold me
(It's the place where I go)
Every time when you hold me
(Every time it's the place where I go)
Every time when you hold me
(It's the place where I go)
When you hold me
Ooh
The sun shines bright
I can see it in your eyes
But I just can't burn daylight
'Cause the thought of you gets me so high
A perfect combination
I'm locked in my flirtation
Don't need a grand occasion
Just meet me in the sunlight
Baby
When you hold me
It's paradise
I feel so free
La-la-la-la-la-la
When you hold me
It feels like paradise
CREDITS
Performer: Theo Kingsley
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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The Sweetest Tornado
Blake Felton
Verified Artist
Blake Felton
Despite sounding like a comic book alter ego, Blake Felton is anything but fictitious. Sure, the moniker is a cheeky assent to his fervent admiration for Blake Shelton, but our guy Felton wears his alias with a tireless charm that’s just as compelling as his given name, Alex. Drawing inspiration and maybe even a little mischievous wit from his country idol, he weaves an intrinsic thread of twang into his unique sound, establishing an undeniable presence in the rootsy pop-rock arena.
Blake Felton stories often come with a touch of humor, just like his catchy, because-why-not song titles. Take, for example, his hit single "The Sweetest Tornado”. It's as if he baptizes every storm he crosses paths with in the sugariest syrup, then serenades it with an infectious melody until it becomes more pop-chart-whirlwind than natural disaster. But don't let that fool you; beneath his nimble storytelling and pun-laden lyrics, Blake showcases a robust, soulful voice that conveys a depth of emotion beyond the jovial exterior. Immensely captivating, a bit heartbreakingly sweet, and always full of unexpected fun - that's Blake Felton in a nutshell. He certainly isn't Blake Shelton, but in a twist of fate tinged with irony, he just might end up becoming more talked-about than his namesake.
The Sweetest Tornado
Blake Felton
She blows into town on a street bike
With her hair done up in cornrows
Gets off the gas like a hot dam
Wearing all pink head to toe
She steps into the bar like a cannonball
All the folks turn around like an old saw
She orders three shots
Honey on the rocks
And a Manhattan in her straw
She ain't here for long but she still shows
People come and go but she always knows
She ain't one for crowds and she never bows
But she still sold every row
Said a bad word one time in a nightclub
Said "Oops
That's too far"
Always says thank you to the bartender
Always says "Please
" "Oops
That's too far"
She steps into the bar like a cannonball
All the folks turn around like an old saw
She orders three shots
Honey on the rocks
And a Manhattan in her straw
She ain't here for long but she still shows
People come and go but she always knows
She ain't one for crowds and she never bows
But she still sold every row
The summer nights
They call her name
The winter months
They call in vain
When she's there
People can't complain
The streets are flooded from the rain
She ain't here for long but she still shows
People come and go but she always knows
She ain't one for crowds and she never bows
But she still sold every row
CREDITS
Performer: Blake Felton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Memories
Hazel Vaughn
Verified Artist
Hazel Vaughn
Hazel Vaughn: The pop belle with a twangy accent who managed to steal the hearts of the indie world. She’s the chirpy nightingale from Virginia, whose lyrics remind you of dog-eared diary pages, scribbled in the golden hues of bygone days.
Unlike your cookie-cutter pop stars, Hazel's got a voice that's as rich and comforting as Southern sweet tea. She waltzes between woeful tales of love and nostalgia seasoned with notes of jingle-jangle pop. Everything from her honey-soaked vocals to her homespun charisma wraps you in a joyful yearning, a testament to her unparalleled knack for audio storytelling.
By far, Vaughn's standout track "Memories" has cemented her place in listeners' hearts. It's a deceptively breezy jam, packed with her knack for tugging both heartstrings and guitar strings alike. Underneath the playful tempo, you can almost hear the nostalgia dripping out, invoking halcyon summer days and resurrecting ghosts of first loves.
Our Virginia story-weaver embodies what it means to be a pop artist with depth, warmth, and a pinch of sweet Southern charm. Where Hazel Vaughn goes, an addictive serenade of happy nostalgia follows–humming reminders of memories we thought we'd lost, but dance upon hearing her tunes. The tales continue to spiral through song. Let's all lend an ear, shall we?
Memories
Hazel Vaughn
I have limited information
Flowers in oil
People in formation
For all the things they stole
All you want to whistle
Kettle on the stove
Together with some tea
Purple and gold
Oh this town is empty
And you are a ghost
Oh this town is empty
And you are a ghost
All you have is this skin
And what you taught me
And how you made a mark on all these things
You meant everything
I have trouble breathing
New town
New number
You were eighteen
I'll be crawling under
Oh please do not sleep here
Tell me the truth
You should have disappeared
But I fell for you
Oh this town is empty
And you are a ghost
Oh this town is empty
And you are a ghost
CREDITS
Performer: Hazel Vaughn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Pencil-Thin Skin
Lora Kin
Verified Artist
Lora Kin
Hailing from the vibrant streets of Toronto, Lora Kin is an energetic pop artist known for her confident and seductive vocal delivery. Drawing inspiration from the pulsating nightlife around her, she began crafting her signature sound during late-night writing sessions that often lasted until dawn. This eclectic backdrop informs her music, blending modern pop disco elements with catchy basslines, funky guitar riffs, and glittery production that exudes nightclub energy. Lora's catalog reflects a thematic consistency of empowerment and self-acceptance, beautifully showcased in tracks like "Pencil-Thin Skin," where she transforms vulnerability into strength.
Lora's artistry thrives on a playful yet assertive approach to songwriting. Her lyrics resonate with listeners who have faced challenges in relationships, capturing the essence of resilience and growth. The motifs of self-discovery and empowerment shine through her work, inviting audiences to join her on a journey of personal evolution. As she explores these themes with a groovy four-on-the-floor beat, Lora delivers anthems that are stylish and glamorous, marrying infectious melodies with uplifting messages.
With a growing catalog that includes tracks carefully designed to uplift and inspire, Lora Kin is carving out a distinct space in the pop landscape. Each song reflects both her struggles and triumphs, painting a vivid picture of a woman unafraid to embrace her identity. As she continues to solidify her presence within the industry, Lora's music promises to keep listeners engaged, dancing, and empowered—perfect for those nights when confidence reigns supreme.
Pencil-Thin Skin
Lora Kin
Wasn't long ago I tried to change for ya
But my spirit wouldn't bend
So I clipped your wings and your balloon burst
And now you're back again
You came like a lamb and left like a lion
Couldn't stick to the deal
But my pencil-thin skin has thickened since then
I don't care how you feel
You called my bluff and left me stranded
Like a lighthouse with no light
So I sent up a flare
And I was saved
Now I don't care if you care
You came like a lamb and left like a lion
Couldn't stick to the deal
But my pencil-thin skin has thickened since then
I don't care how you feel
Now I don't care if you care
You came like a lamb and left like a lion
Couldn't stick to the deal
But my pencil-thin skin has thickened since then
I don't care how you feel
CREDITS
Performer: Lora Kin
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Question Life
The Unpaid Actors
Verified Artist
The Unpaid Actors
The Unpaid Actors is a vibrant three-member DJ group based in Berlin, known for their eclectic blend of dance, disco, and electronic sounds. The trio consists of Leo, a dynamic producer with an ear for infectious beats; Mia, a soulful vocalist who infuses their tracks with emotion; and Sam, a master of live mixing who brings the energy to their performances. They first crossed paths at a local underground party where they bonded over their shared passion for music and the art of DJing. Following that serendipitous night, they began collaborating, quickly realizing that their combined creative energies produced something special.
Their catalog, though currently featuring just one track, "Question Life," showcases a hopeful and inspirational vibe that resonates with listeners on an emotional level. The song embodies a dreamy atmosphere paired with playful and uplifting melodies, making it perfect for both intimate settings and late-night dance floors. While they are still expanding their repertoire, The Unpaid Actors have already established a signature sound characterized by sensual vocals and rhythmic grooves that invite listeners to escape into the music.
As they continue to develop their artistry, The Unpaid Actors aim to produce tracks that not only entertain but also inspire reflection and connection among audiences. Each song they create serves as an invitation to explore themes of identity and existence, echoing the essence of "Question Life." With plans for more releases in the near future, this Berlin-based trio is poised to make a significant mark on the independent music scene as they invite listeners to join them on this exciting musical journey.
Question Life
The Unpaid Actors
I wore my doubts like coins
In the coin-slot sky
Tossed them up for answers
They came back tied
My shoes on the curb
My hands in my coat
I asked the dark around me
For one clear note
And every sign
Looked back at me
Like maybe
Maybe it’s me
Question life
Question life
I keep asking why
Question life
Question life
Till the hurt goes quiet
My mother said “hold on”
My brother said “run”
My best friend laughed too hard
When I said “what’s done is done?”
The train doors opened
I stepped right in
No map in my pocket
Just a pulse and a grin
And every face
On that crowded ride
Said maybe
Maybe tonight
Question life
Question life
I keep asking why
Question life
Question life
Till the hurt goes quiet
If I don’t know
Then I don’t know
Still I’m moving
Still I’m close
To something real
Under my feet
Not all answers
Have to speak
Question life
Question life
I keep asking why
Question life
Question life
Till the hurt goes quiet
Question life
Question life
I’m alive tonight
Question life
Question life
And that’s my light
CREDITS
Performer: The Unpaid Actors
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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