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Pieces Of Tomorrow
Glass Orchard
Verified Artist
Glass Orchard
Glass Orchard: underdogs from Iceland's burgeoning musical arena, who've taken indie beats and songwriting to a whole new Frosty level. Headed by a commanding male lead supported by a dynamic duo of keyboardists, they're melting all sorts of icy musical conventions.
Born under the northern lights of Reykjavik, they're often joked as the "fruity version" of Sigur Rós. Our main man pulls emotional threads like a seasoned weaver, belting out raw, hearty verses that contrast blissfully against the soft twinkling of the keyboards, played by our male-female dynamic duo. And boy, do they peel back the layers!
Their most noteworthy track, "Pieces of Tomorrow", tantalizingly teeters between radio-friendly pop and their native avant-garde sound. It’s like biting into an enchanted apple; filled with textured layers of auditory delight. Get ready to chomp down to get a taste of the future through their fresh, clairvoyant tunes.
Once you've had a bite of Glass Orchard, you'll understand why Iceland's not just famous for their geysers and quirky mayor. Much like their namesake, they reflect a myriad of perspectives under one musical roof. Sweet, tangy, and reliably crisp, Glass Orchard’s music serves us delicious pieces of tomorrow, today.
Pieces Of Tomorrow
Glass Orchard
I remember
Little pieces
Little pieces
Of tomorrow
I woke up in a moving city
With your message on my phone
Saying nothing lasts forever
But I hate the word alone
There were faces in the window
There were names I couldn’t place
I was dancing through the morning
Trying not to see your face
I don’t wanna fall back
I don’t wanna fade out
I don’t wanna stand still
Waiting for the same sound
If the night is broken
Let the beat repair it
If my heart is open
I’m not scared to wear it
Piece by piece
I come alive
Little lights
Inside my mind
Beat by beat
I feel the fire
You were gone
But I got higher
Piece by piece
I’m not the same
I lost you once
But found my name
Oh-oh-oh
I come alive
Piece by piece
I come alive
Come alive
Come alive
Piece by piece
I come alive
Come alive
Come alive
Little pieces
Of tomorrow
I kept walking through the static
With my shadow next to me
Every heartbreak has a rhythm
If you let the body breathe
I was more than what you left with
More than tears on bathroom tiles
Now the bassline pulls me forward
And I’m learning how to smile
I don’t wanna fall back
I don’t wanna fade out
I don’t wanna stand still
Waiting for the same sound
If the night is broken
Let the beat repair it
If my heart is open
I’m not scared to wear it
Piece by piece
I come alive
Little lights
Inside my mind
Beat by beat
I feel the fire
You were gone
But I got higher
Piece by piece
I’m not the same
I lost you once
But found my name
Oh-oh-oh
I come alive
Piece by piece
I come alive
Maybe love is not a place
Maybe home can change its shape
Maybe all the things we lose
Turn into another way
I don’t need the past to call
I don’t need the door unlocked
I can be the one who breaks
And still becomes the song
Piece by piece
I come alive
Little lights
Inside my mind
Beat by beat
I feel the fire
You were gone
But I got higher
Piece by piece
I’m not the same
I lost you once
But found my name
Oh-oh-oh
I come alive
Piece by piece
I come alive
I remember
Little pieces
Little pieces
Of tomorrow
Piece by piece
I come alive
CREDITS
Performer: Glass Orchard
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Never On The Line
Wrong Floor Cinema
Verified Artist
Wrong Floor Cinema
Wrong Floor Cinema is a four-piece alternative rock band formed in 2025 by Orson Vell, Marlow Pin, Crispin Dayrate, and Niles Weatherby. The group came together through a series of badly organized rehearsal-room bookings, after repeatedly being assigned the same basement studio by mistake. They kept the name Wrong Floor Cinema because it matched their shared taste for overlooked places, awkward situations, and things that feel slightly out of sequence.
Their music blends sharp pop-punk guitars, dry spoken-sung vocals, clipped rhythms, melodic bass lines, and an offbeat sense of humor. Although their sound draws heavily from 1990s alternative rock, they avoid straightforward nostalgia, mixing that influence with modern production, restrained arrangements, and lyrics built around mundane frustrations, social discomfort, bad timing, and small personal disasters.
Orson handles vocals and rhythm guitar, Marlow plays lead guitar, Crispin plays bass, and Niles is on drums. Together, they have built a reputation for tightly controlled live performances that still feel unpredictable, balancing catchy melodies with deadpan delivery and a slightly detached stage presence. Wrong Floor Cinema sounds like a band that arrived late, entered through the wrong door, and decided to stay anyway.
Never On The Line
Wrong Floor Cinema
I called your number
It learned my name
It said the same thing
Every day
You had a reason
Then you had two
Then you had nothing
Better to do
Ring ring
No sign
Good luck
Next time
You were never on the line
Never on the line
Always almost there
Never on the line
You were never on the line
Never on the line
I got tired of waiting
For a person made of signs
You sent a message
Without a dot
Said you were coming
Then you forgot
You had a system
You had a plan
You had a talent
For not being where I am
Ring ring
No sign
Good luck
Next time
You were never on the line
Never on the line
Always almost there
Never on the line
You were never on the line
Never on the line
I got tired of waiting
For a person made of signs
No big ending
No goodbye
Just your silence
Wearing a tie
You were never on the line
Never on the line
Always almost there
Never on the line
You were never on the line
Never on the line
I stopped calling
You stayed right on time
CREDITS
Performer: Wrong Floor Cinema
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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A Song Left Unwritten
Mira Jensen
Verified Artist
Mira Jensen
"You've probably never heard of Mira Jensen, but then again, who has?" says Mira Jensen in a witty repartee to obscurity. This indie-goddess, hailing from the ink-blotted margins of the music world, brandishes her raw talent like a broadsword, cutting through the monotony of manufactured pop.
Behind her calming blue eyes and spaghetti disaster of blonde curls spirals the complex mind of a poet, busily spinning threads of everyday life into lyrical gold. Her music is a veritable tonic for the soul, born from the bittersweet marriage of late-night introspections and forgotten childhood memories. And "A Song Left Unwritten", her pièce de résistance, seizes your heart only to turn it into an errant marionette, dancing to its heartrending symphony.
Yet, don't let her philosophical musings fool you. Mira is as unpredictable as a jack-in-the-box, as exemplified by her impromptu concert inside an empty fish tank in the heart of Hackney (that’s right, you heard it here first). Whether she's spinning out profound ballads or making magic in the most peculiar of venues, Mira Jensen's authenticity shines brighter than her neon pink Converse.
In the music industry, where mimicking the familiar often spells success, Mira's candidness is as refreshing as a summer breeze in the Sahara. Though her nom de guerre might not yet line the billboards, something tells us Mira Jensen's footnotes in the annuls of music are just a few jamming sessions away from becoming headline-worthy annotations. Watch this space!
A Song Left Unwritten
Mira Jensen
You caught my eye
On that ten forty-nine
Right when the train doors
Closed me in
And in my mind
Was "Landslide"
The song my mother made
My dad dance with me to
You're
A song left unwritten
And just in case
I thought I'd say
I hope when the time comes
And that the heartache comes
This brings you back to me
At that moment
When you were caught
Bet you never thought you'd see me here
Ever again
With unbrushed hair and notes of the day
The way you stared
My trench coat brown
My eyes
I hope you remember them
I hope you find me somehow
Because
Darling
You're
A chapter left undone
And just in case
I thought I'd say
I hope when the storm hits
And the weeping winds
Take you back to me
At that moment
When you were nerve-struck
When you were awe-struck
CREDITS
Performer: Mira Jensen
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Rich Man Pass the B...
Loch Ness Monsters
Verified Artist
Loch Ness Monsters
Rising from the enigmatic allure of Brighton's coastal shores, Loch Ness Monsters are a four-piece band reshaping the contours of alternative rock and pop.
Comprised of the ethereal vocalist Isla "Izzy" McLeod, the enigmatic guitarist Finnegan "Finn" Hartley, the introspective bassist Leo Summers, and the rhythmically ingenious drummer Pippa Clarke, the band weaves together threads of myth and modernity. Their name pays homage to the legendary creature of the deep, symbolizing the hidden depths and untapped mysteries they explore through their music.
Their breakout single, "I Fall Too Deep," plunges listeners into a whirlpool of emotion with its irresistibly catchy chorus and haunting melodies.
The song is a sonic journey, echoing the sensation of being submerged in one's feelings, fears, and desires. Izzy's haunting vocals glide over Finn's shimmering guitar riffs, while Leo's pulsating bass lines and Pippa's dynamic drumming create an undercurrent that pulls the audience into uncharted territories of sound. The track has become an anthem for those unafraid to delve beneath the surface, catching the attention of listeners in the stores where Filodyo broadcasts.
The band's origin story is as captivating as their music. Meeting by chance during a midnight swim on a dare at Brighton's pebble beach, the quartet bonded over shared tales of folklore, a love for genre-blending music, and a mutual sense of adventure.
Their performances are not just concerts but immersive experiences; they often incorporate visual art, storytelling, and atmospheric lighting to transform venues into mystical landscapes.
Loch Ness Monsters invite their audience to join them in the depths, challenging everyone to embrace the unknown and find beauty in the unexplored.
Rich Man Pass the Baton
Loch Ness Monsters
We've all seen a Tom
Rich man pass the baton
Godspeed big shoe
Stay loose and make it move
Try not to escape
Practice neatness in penmanship
Absolutely no finder's fee
We're rolling long haul
In fifteen minutes it'll perturb me
And then in about a week it'll haunt me
In fifteen minutes it'll perturb me
Underneath the leaves slowly terminating
Creating a community without a dichotomy
Reject the king
Malefactor sing
Find your reality
Oh say church
I don't want to return to scorched earth
Or roll around in the dirt
Or skip over those who got hurt
In fifteen minutes it'll perturb me
And then in about a week it'll haunt me
In fifteen minutes it'll perturb me
Underneath the leaves slowly terminating
We are nice to be behind
But heavens no
We are not leading
And there's not much time left
In fifteen minutes it'll perturb me
And then in about a week it'll haunt me
In fifteen minutes it'll perturb me
Underneath the leaves slowly terminating
CREDITS
Performer: Loch Ness Monsters
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Soft Collision
Arin Paper Crown
Soft Collision
Arin Paper Crown
[Cold Open]
네가 가까워지면
내 하루가 달라져
작은 숨 하나까지
너에게 닿는 것 같아
I don’t know what you did to me
But my heart moves carefully
아무 말 없이 웃어도
이상하게 따뜻해져
너의 눈을 보고 있으면
시간이 조금 느려져
서두르지 않아도 돼
우린 이미 가까워
[Lift]
조용한 이 마음이
너를 향해 번져 가
겁이 나도 괜찮아
너도 같은 눈빛이야
Soft collision
너와 내가 닿는 순간
Soft collision
내 맘이 먼저 알아
Love is coming softly
천천히 내게 와 줘
Soft collision
I fall into you
Soft collision
말보다 깊은 이 순간
Soft collision
숨길 수가 없잖아
Love is moving slowly
조금 더 머물러 줘
Soft collision
I fall into you
하루 끝에 네가 있으면
복잡한 맘이 풀려
작은 농담 하나에도
내 표정이 먼저 웃어
I was used to being alone
Keeping everything inside
그런 나를 흔든 사람
너라는 게 좋아
[Lift 2]
가까워질수록
더 솔직해지고 싶어
내 안에 남겨 둔 말
오늘은 전하고 싶어
Soft collision
너와 내가 닿는 순간
Soft collision
내 맘이 먼저 알아
Love is coming softly
천천히 내게 와 줘
Soft collision
I fall into you
Soft collision
말보다 깊은 이 순간
Soft collision
숨길 수가 없잖아
Love is moving slowly
조금 더 머물러 줘
Soft collision
I fall into you
혹시 너도 나처럼
돌아서기 아쉬웠다면
아무 말 하지 않아도
손을 잡아 줘
이 밤이 끝나기 전에
내 마음을 알아줘
너라면 괜찮아
I can let you in
[Final Chorus]
Soft collision
너와 내가 닿는 순간
Soft collision
내 맘이 먼저 알아
Love is coming softly
천천히 내게 와 줘
Soft collision
I fall into you
Soft collision
말보다 깊은 이 순간
Soft collision
숨길 수가 없잖아
Love is moving slowly
조금 더 머물러 줘
Soft collision
I fall into you
네가 가까워지면
내 하루가 달라져
Soft collision
I fall into you
CREDITS
Performer: Arin Paper Crown
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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What Life Hands Me
Talia Hayes
Verified Artist
Talia Hayes
Talia Hayes is a contemporary soul-pop artist whose warm, expressive vocals resonate with listeners seeking authenticity and emotional depth. With a knack for crafting reflective narratives, Talia's songwriting captures the essence of human experience, exploring themes of resilience, self-respect, and healing. Her latest track, "What Life Hands Me," delves into the pressures of modern life—touching upon money struggles while advocating for a gentle approach to life's challenges. This particular song showcases her ability to weave poignant stories that linger in the hearts of her audience.
Emerging from a background steeped in rich musical influences, Talia developed her sound in the intimate cafés and open mic nights of her hometown. It was there that she honed her craft, blending elements of soul and pop to create a style that feels both fresh and timeless. The understated production of her music allows her vibrant vocal identity to shine through, drawing listeners into an immersive experience that captivates without overwhelming.
As Talia continues to evolve as an artist, each new release promises to build on the themes she cherishes. With "What Life Hands Me" as a key piece in her catalog, listeners can expect more songs that invite them to embrace softness amidst life's trials. Talia Hayes stands as a beacon for those navigating their own journeys, reminding them that even in the face of adversity, there is beauty in vulnerability and strength in choice.
What Life Hands Me
Talia Hayes
Bills on the counter
Dreams on the line
Love came with lessons
I signed every time
I used to ask for reasons
Every time plans fell apart
Now I save my questions
For the rooms inside my heart
Some people came with flowers
Some came with unpaid pain
Some gave me a lesson
And never used my name
I had a younger version
Who wanted every door
Now I need less approval
And I sleep a little more
I do not call it failure
When I learn what I can hold
Some gold comes wrapped as pressure
Some truth arrives cold
I been down to my last dollar
Still made dinner for a friend
I been tired past the limit
Still got up again
I do not need a reason
For every turn I take
I just keep my balance
When the floor starts to shake
I take what life hands me
Sweet heavy real
Some days come easy
Some days make me feel
I bend I don’t break
I give I still choose
I lose what I outgrow
I win when I move
I take what life hands me
No perfect plan
I’m softer I’m stronger
I know where I stand
I learned love can be simple
And still not be enough
I learned peace has a price tag
But so does holding up
My mama said be patient
My pride said be wise
My body knew the answer
Before I opened my eyes
I made friends with my limits
I made space for my needs
I stopped calling it selfish
When I wanted to breathe
I keep a little humor
For the hardest kind of day
If joy knocks once a month
I still let it stay
I been down to my last dollar
Still made dinner for a friend
I been tired past the limit
Still got up again
I do not need a reason
For every turn I take
I just keep my balance
When the floor starts to shake
I take what life hands me
Sweet heavy real
Some days come easy
Some days make me feel
I bend I don’t break
I give I still choose
I lose what I outgrow
I win when I move
I take what life hands me
No perfect plan
I’m softer I’m stronger
I know where I stand
I do not owe the past
A seat beside my plate
I can love what happened
And still close that gate
I do not rush my healing
I do not fake my pace
I can carry history
Without wearing its face
I found grace after losing
I found room after no
I found out life keeps giving
When I let some things go
I take what life hands me
Sweet heavy real
Some days come easy
Some days make me feel
I bend I don’t break
I give I still choose
I lose what I outgrow
I win when I move
I take what life hands me
No perfect plan
I’m softer I’m stronger
I know where I stand
I take what life hands me
I know where I stand
I’m softer I’m stronger
I know where I stand
Bills on the counter
Dreams on the line
Life came with lessons
I signed every time
CREDITS
Performer: Talia Hayes
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Baby, Baby
Lily Green
Verified Artist
Lily Green
Lily Green is a vibrant nu-disco artist with a deep love for cars and the open road.
Hailing from Los Angeles, Lily grew up with the sounds of synth beats and funky basslines, which fueled her passion for creating danceable, feel-good music.
Her fascination with cars started in childhood, spending weekends at car shows with her dad and dreaming of road trips across the country. This love for automobiles often finds its way into her music, with themes of freedom, speed, and adventure.
Known for her infectious energy and groovy tunes, Lily Green’s tracks are the perfect soundtrack for cruising down the highway with the windows down.
Baby, Baby
Lily Green
You're always a second away
We never finish what we start
I think about it every day
I feel it in my broken heart
You do me dirty and then you say
It was an accident
But I've had enough
Oh
Babe
Baby
Baby
I've had enough
I've had enough
Oh
Baby
Baby
I've had enough
I've had enough
I've got the freedom to be alone
I've got my friends
But I never call
You say
"I miss you
" I hear the tone
And I don't feel like I know you at all
It's like a movie or a TV show
We were in love once
But now I can't remember
Babe
Baby
Baby
I've had enough
I've had enough
Oh
Baby
Baby
I've had enough
I've had enough
Oh
Baby
Baby
I've had enough
I've had enough
Oh
Baby
Baby
I've had enough
I've had enough
CREDITS
Performer: Lily Green
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Catastrofe
Ra Rauw 42
Verified Artist
Ra Rauw 42
Ra Rauw 42 is a Berlin-based hip hop trio redefining what underground sound means in the heart of Europe. Formed in 2022, the group brings together three contrasting forces: Jonas “JZ” Klinke, a battle-scarred lyricist raised on Neukölln’s street corners; Felix “Nebula” Brandt, an analog synth hoarder with a soft spot for East German radio textures; and Lina “Vel” Morgenstern, a conservatory dropout whose icy vocals and haunting hooks give the group its signature edge.
Their paths crossed at a chaotic warehouse rave in Friedrichshain. JZ was freestyling through the fog machine, Nebula hijacked the aux cable to drop a grime bootleg, and Vel—originally just photographing the night—ended up singing the hook that silenced the crowd. That spontaneous moment led to their first studio session, where “Catastrofe” was born.
“Catastrofe”, their explosive debut single, dropped exclusively on Filodyo, bypassing traditional platforms in a deliberate move to keep their sound raw and uncensored. It’s not just a song—it’s a signal. Ra Rauw 42 isn’t asking for attention. They’re taking it.
Catastrofe
Ra Rauw 42
Ra-Rauw
Raul Alejandro
Austin Baby
Chris Jedi
Gaby Music
Dime
Baby
I don't think I'll survive until the weekend
She wants me to become vegan
Your girlfriend
My favorite stripper
She's a little prettier
But just as toxic as you
I met you at a club in Medellin
I wanted to put you in a Lamborghini (Woh woh woh woh)
'Cause she's a party girl (Party girl)
And I gave her a pill (I gave her a pill woh)
I just have a message for you (Message)
I don't want to see you again
Have a good life (Have a good life)
I hope you lose your wallet (Hope you lose your wallet)
And you cry over every song (Oh my God)
I hope you run out of gas (Gas)
Your favorite song gets deleted (Gets deleted)
And your flight gets canceled (Gets canceled)
And you have a catastrophic night (Catastrophic night)
I hope you get a flat tire (Flat tire)
Your period is delayed for ten days (Delayed for ten days)
And your favorite tequila gets spoiled (Gets spoiled)
And you have a catastrophic night (And you have a catastrophic night)
Catastrophic night
Catastrophic night
Catastrophic night
I don't think I'll survive until the weekend (Until the weekend)
She wants me to become vegan (Vegan)
Your girlfriend
My favorite stripper (Oh my God)
She's a little prettier
But just as toxic as you (Baby)
I met you at a club in Medellin (Medellin)
I wanted to put you in a Lamborghini (Lamborghini)
(Woh woh woh woh)
'Cause she's a party girl (Party girl)
And I gave her a pill (Gave her a pill woh)
(Oh oh oh)
(Oh oh oh)
I just have a message for you (Message)
I don't want to see you again
Have a good life (Have a good life)
I hope you lose your wallet (Hope you lose your wallet)
And you cry over every song (Oh my God)
I hope you run out of gas (Gas)
Your favorite song gets deleted (Gets deleted)
And your flight gets canceled (Gets canceled)
And you have a catastrophic night (Catastrophic night)
I hope you get a flat tire (Flat tire)
Your period is delayed for ten days (Delayed for ten days)
And your favorite tequila gets spoiled (Gets spoiled)
And you have a catastrophic night (And you have a catastrophic night)
Catastrophic night
Catastrophic night
Catastrophic night
And you have a catastrophic night
(And you have a catastrophic night)
Catastrophic night
Catastrophic night
Catastrophic night
And you have a catastrophic night
And your favorite tequila gets spoiled
Catastrophic night
Catastrophic night
Catastrophic night
And your favorite tequila gets spoiled
CREDITS
Performer: Ra Rauw 42
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Too Much
Expired Youth Club
Verified Artist
Expired Youth Club
Expired Youth Club are a fictional female-fronted alternative-pop trio exploring what happens when emotion refuses to stay contained. Vocalist Lena Voss formed the project with bassist Rae Kim and drummer Simone Vale after the three bonded over unfinished demos and a shared appetite for songs that could sound vulnerable and explosive at once.
Their song “Too Much” turns emotional intensity into a physical current. The lyrics move between attraction, anxiety and self-awareness, while a rising rhythm mirrors the feeling of trying—and failing—to keep every reaction under control. Lena’s vocal shifts from close confession to a charged chorus without apologizing for its volume.
Expired Youth Club pair indie textures with pop instincts and a slightly restless edge. Their music treats sensitivity as voltage rather than weakness, giving oversized feelings a place to move, break and glow.
Too Much
Expired Youth Club
I keep it folded tight
Like a letter in my coat
Then you say my name
And the whole thing starts to glow
My chest goes loud
My hands forget to rest
One look from you
And I’m a live wire in a dress
It comes in waves
It comes in red
It takes my calm
And shakes my bed
I try to hold back
Try to stay clean
But you pull the truth
Right out of me
Too much too much
I feel too much
(too much too much)
I break I rush
Too much too much
I feel too much
(and I don’t know how)
To hold this touch
I laugh too hard
Then I fall too deep
I say “I’m fine”
But it won’t let me sleep
Every little hurt
Gets a name gets a face
Every little joy
Leaves a mark I can’t replace
It comes in waves
It comes in red
It takes my calm
And shakes my bed
I try to hold back
Try to stay clean
But you pull the truth
Right out of me
Too much too much
I feel too much
(too much too much)
I break I rush
Too much too much
I feel too much
(and I don’t know how)
To hold this touch
If I go quiet
I’m not gone
I’m just full
And hanging on
Don’t call it weakness
Don’t call it a flaw
It’s just a heart
That wants it all
Too much too much
I feel too much
(too much too much)
I break I rush
Too much too much
I feel too much
(and I don’t know how)
To hold this touch
CREDITS
Performer: Expired Youth Club
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Margin of Error
Susan Hall
Verified Artist
Susan Hall
Susan Hall emerges from the vibrant backdrop of New York City, where late-night writing sessions fuel her introspective explorations into the human experience. Infusing elements of Lo-Fi, Pop, and Trip-Hop, Susan crafts soundscapes that oscillate between playful and melancholic. Her track "Margin of Error" encapsulates this duality, featuring smoky vocals layered over a pulsating sub-bass and ethereal Fender Rhodes chords. With a penchant for the poetic, her lyrics explore themes of longing and uncertainty, often wrapped in an enigmatic embrace that resonates deeply with listeners.
The sonic threads within her catalog weave together a compelling narrative, each track a reflection of her artistic identity marked by subtle contrasts. From the dark trip-hop influences that shape her beats to the epic yet intimate moods she conjures, Susan's music reveals a world where vulnerability meets resilience. With tracks like "Margin of Error," she invites audiences to navigate through the shadows of love and loss while offering an unexpected playfulness that lingers long after the last note fades.
Margin of Error
Susan Hall
You filed my name under maybe
Kept one hand near delete
Your sentences came pre-approved
Every promise wore a barcode
I read the terms across your face
A firm refusal dressed as grace
You kept my number off the page
Then called it love at your own rate
I learned the cost of being near
A private charge renewed each year
Your figures never could align
You changed the units every time
You took the sum removed the source
Then called the damage normal loss
Call me your margin of error
The number you round to zero
You kept me close to the ledger
But never part of the total
Call me your margin of error
Your almost your after your spare
I won’t be filed under maybe
I won’t be useful then erased
You wore affection like a pass
Valid until somebody asked
My place was marked with pencil lead
Easy to alter hard to read
You built a room from access codes
The door unlocked when you chose
I left the key beside your name
No final speech no claim to blame
Your figures never could align
You changed the units every time
You took the sum removed the source
Then called the damage normal loss
Call me your margin of error
The number you round to zero
You kept me close to the ledger
But never part of the total
Call me your margin of error
Your almost your after your spare
I won’t be filed under maybe
I won’t be useful then erased
I was never hard to measure
You preferred uncertain scales
A person turned to useful data
A pulse reduced to monthly sales
Now every digit has an owner
Every loss can state its cause
You can keep your perfect record
I have left your private laws
Call me your margin of error
The number you rounded to zero
You kept me close to the ledger
But never part of the total
Call me your margin of error
The flaw that refused to behave
Cross out the file marked as maybe
I won’t be useful then erased
Delete my name from your system
The error has learned its own weight
CREDITS
Performer: Susan Hall
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
There is Power in R...
Nadia Petrova
Verified Artist
Nadia Petrova
Sit back, close your eyes, and let Nadia Petrova's dancy beats stir your soul. Heralding from the land of vodka and chilly winters, this indie dance titan is brewing storms with her ethereal vibes and boogie-powered anthems.
Gymnast by day and club sensation by night, Nadia's life is as rhythmic as her pulsating dance tracks. Originally intending to represent her motherland in a sporting event, the rhythmic allure of the synthesizer provided a detour, and she hasn't looked back since. A sucker for routine, she realized that there is intrinsic beauty in repetition—thus was born the mega-hit "There is Power in Routine."
Her music is a paradox, as comforting as the predictable tick-tock of a clock, and as thrilling as a train ride through strobe-lit tunnels. Nadia brings cheer disco-jumping out of her turntable, crafting happy dance tunes that are as infectious as the common cold.
Nadia Petrova is certainly not your average Russian spy. Injecting the world of dance music with a hearty dose of happiness, her infectious and playful beats revive the spirit of an ancient Russian proverb: "Who does not jump, is not Russian." Dance on, comrades!
There is Power in Routine
Nadia Petrova
Life is only fun with a plan
Like a working woman the way I'm back again
With every morning goin' to a tango
Hella cute in my heels and I glide it solo
There is power in routine
Strong woman in the street
Sets me free
Liberty
There is power in routine
Our getaway is tailored up tight
You beg for an escape and there's no thought behind those eyes
Go again and again and again 'cause I like
Ooh I like
There is power in routine
Strong woman in the street
Sets me free
Liberty
There is power in routine
Mmh
Ooh
Mmh
Ooh
There is power in routine
Strong woman in the street
Sets me free
Liberty
There is power in routine
CREDITS
Performer: Nadia Petrova
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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