Known for producing groovy beats that put a wiggle in your walk, Zahna Krouphouse is the hidden gem of the electronica scene with a penchant for igniting spontaneous kitchen dance parties. To the unassuming listener, Zahna's refreshing sound spells out freedom, exhilaration, and well... sheer joy!

Zahna got the break they've been waiting for when they were scouted by Filodyo. What started as a soundtrack for the aisle wanderers in stores turned out to be the foot-tapping, head-bobbing anthem for headphone warriors worldwide. Zahna's style? Think a vibrant fusion of Aphex Twin’s heart-thumping rhythm with Daft Punk's rhapsodic harmonies. But they punctuate it with a zesty twist of their own, stirring up their Krouphouse magic that flip-flops your heart and has your toes tapping a Morse code of elation.

Their crowning jewel? The catchy ditty christened "Self Mastery". Proving to be more than a hyped-up joyride, it's an electronic odyssey that weaves in the pulse of self-discovery, self-love, and well, mastering one's self. As Zahna says, it's the "digital lullaby of the self-actualized soul," if that doesn't make you double-click on their playlist, what will? On that happy note, may Zahna Krouphouse's music echo in your heart, head, and, inevitably, hips. Could you ask for a more funky companionship on your journey of self-mastery?

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Violette Stoem doesn’t just sing—she floats. Hailing from Rotterdam’s rainy streets and raised on a mix of French electronic minimalism and UK garage, her music exists in the space between dancefloor euphoria and solitary late-night reflection. With a voice that’s equal parts smoke and sunlight, she crafts tracks that pull you in slowly—then never let go.

Her breakout single “Meant To Be” is a hypnotic blend of deep house rhythms and shimmering pop clarity. Anchored by a driving low-end and crisp four-on-the-floor pulse, the track features syncopated synth stabs, airy pads, and a vocal hook that lands straight in your bloodstream. It’s the kind of track that feels equally at home in Berlin’s underground or a coastal sunset set in Ibiza.

Violette isn’t chasing trends. She’s building a sound world of her own—emotive, minimalist, and endlessly danceable. Her sets are known for their intimacy, her lyrics for their vulnerability, and her production for its razor-sharp elegance. Quiet by nature, loud by design.

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With a name synonymous with the hauntingly beautiful waters of Ohrid, North Macedonia, Elira Vayne is your go-to dance diva with a twist. Part French, part Albanian, and 100% maverick, Vayne gives dance music a refreshing Balkan edge.

Born to the lullaby of a mandolin on Ohrid's shores, Elira was raised with the zest of Albania and the charm of France running through her veins. As if algae-ridden waters and sun-lit picnic spots out of posters whispered into her ears, everyone wondered, "Does Ohrid govern the sounds she creates?" And in a quaint voice, she would almost always blush and say, "Mais oui, and a bit of Marseille jazz too."

By the time teenage took over, the rhythm of the mandolin turned to jazz in the pulsating heart of Marseille. There, in a music sklearnamediciabacked alley bistro turned vocal studio, she trained some more in the gallant art of French jazz vocals. Little did she know that her cultural potpourri would give birth to a new music sensation: the vivacious tones of French Electronica blended with raw Balkan folklore.

Never leaving her roots far behind, each album cover of Elira's embroiders a rich tapestry of Balkan texture. In contrast, her songs hum with the vibe of French electronic dance music, mostly with her biggest hit yet, "I'm The Lighter". You can feel the happy energy as potent as the Ohrid sun, making her music a cocktail of infectious melodies under the umbrella contract of Filodyo. And quite frankly, it's this sun-soaked, high spirited party in the Byzantines' backyard that sets Elira Vayne on a league above your usual dance floor DJs.

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Ra Rauw 42 is a Berlin-based hip hop trio redefining what underground sound means in the heart of Europe. Formed in 2022, the group brings together three contrasting forces: Jonas “JZ” Klinke, a battle-scarred lyricist raised on Neukölln’s street corners; Felix “Nebula” Brandt, an analog synth hoarder with a soft spot for East German radio textures; and Lina “Vel” Morgenstern, a conservatory dropout whose icy vocals and haunting hooks give the group its signature edge.

Their paths crossed at a chaotic warehouse rave in Friedrichshain. JZ was freestyling through the fog machine, Nebula hijacked the aux cable to drop a grime bootleg, and Vel—originally just photographing the night—ended up singing the hook that silenced the crowd. That spontaneous moment led to their first studio session, where “Catastrofe” was born.

“Catastrofe”, their explosive debut single, dropped exclusively on Filodyo, bypassing traditional platforms in a deliberate move to keep their sound raw and uncensored. It’s not just a song—it’s a signal. Ra Rauw 42 isn’t asking for attention. They’re taking it.

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Asha Monroex, a New York native, is a self-made artist carving out her own niche in the world of Independent Pop. Best known for her hit single "New York, I Loved You," Monroex is as much a part of the city's fabric as its yellow taxis and insomniac lifestyle.

A craftswoman of melancholic melodies, Asha's artistry spirals on downbeat rhythms and swirls of synth-driven soundscapes that resonate with her heartfelt lyricism. She's the type of artist who pens her poignant prose amidst the organized chaos of her Lower East Side apartment, making her music feels as personal as being let in on a closely guarded secret.

Inherently prolific, Monroex is a master at evoking emotional responses with her emotionally charged tracks. She captures the long teary taxi rides home and 3 am heartbreak with a quiet grace and majesty that far surpasses her fellow indie pop peers. Her melodies come through not as songs, but as anthems for those who've experienced love and loss in the city that never sleeps.

Always genuine and undeniably relatable, Asha endears herself to her listeners by turning sorrow into swagger, one resonating note at a time. Her music isn't just a catalogue of songs; it's a journey through the ups and downs of life in the big city, wrapped up in a soulful pop package. And trust us, once you're on this ride, you're not going to want to get off.

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Rising from the enigmatic allure of Brighton's coastal shores, Loch Ness Monsters are a four-piece band reshaping the contours of alternative rock and pop.

Comprised of the ethereal vocalist Isla "Izzy" McLeod, the enigmatic guitarist Finnegan "Finn" Hartley, the introspective bassist Leo Summers, and the rhythmically ingenious drummer Pippa Clarke, the band weaves together threads of myth and modernity. Their name pays homage to the legendary creature of the deep, symbolizing the hidden depths and untapped mysteries they explore through their music.

Their breakout single, "I Fall Too Deep," plunges listeners into a whirlpool of emotion with its irresistibly catchy chorus and haunting melodies.

The song is a sonic journey, echoing the sensation of being submerged in one's feelings, fears, and desires. Izzy's haunting vocals glide over Finn's shimmering guitar riffs, while Leo's pulsating bass lines and Pippa's dynamic drumming create an undercurrent that pulls the audience into uncharted territories of sound. The track has become an anthem for those unafraid to delve beneath the surface, catching the attention of listeners in the stores where Filodyo broadcasts.

The band's origin story is as captivating as their music. Meeting by chance during a midnight swim on a dare at Brighton's pebble beach, the quartet bonded over shared tales of folklore, a love for genre-blending music, and a mutual sense of adventure.

Their performances are not just concerts but immersive experiences; they often incorporate visual art, storytelling, and atmospheric lighting to transform venues into mystical landscapes.

Loch Ness Monsters invite their audience to join them in the depths, challenging everyone to embrace the unknown and find beauty in the unexplored.

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Rosa Medina was born in 2001 in Porto, Portugal, to a family that carried both Iberian and Brazilian heritage. Her father, a fisherman from Aveiro, filled the house with fado records, while her Brazilian mother played MPB classics and samba on lazy Sunday mornings. Rosa grew up between two shores of the Portuguese-speaking world — absorbing the saudade of Amália Rodrigues and the sunny, syncopated joy of Gal Costa in equal measure.

At fourteen, she began performing small sets in riverside cafés, her voice effortlessly gliding between soft whispers and soaring notes. The intimacy of fado was her foundation, but Rosa was restless — she wanted her songs to dance. By blending Portuguese folk melodies with bossa nova chords, urban beats, and lush pop arrangements, she began to shape a style that felt both nostalgic and forward-looking.

In 2025, Rosa released her debut single "Fica no Quase" in collaboration with Filodyo, the independent music producer known for shaping fresh, original sounds for global audiences. The track — a bittersweet, mid-tempo anthem about love suspended in uncertainty — gained instant traction on streaming platforms. Its hypnotic chorus, sung entirely in Portuguese, became a signature moment in her live performances.

Today, Rosa Medina is part of a new generation redefining Lusophone pop, performing sold-out shows from Lisbon to São Paulo. Despite her growing fame, she keeps her songwriting process deeply personal — scribbling lyrics on napkins in Lisbon cafés, recording demos on her phone while walking along the Douro River. For Rosa, every performance is a bridge connecting continents, carrying the language and emotion of Portuguese music to the world stage.

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A staple in the riveting New York music scene and an embodiment of the city's ever pulsating rhythm, Tamie Ray is an artist who has imprinted her unique voice and interpretative prowess on the pages of modern jazz history. Born in the heart of Manhattan to a family of musicians, she was raised amid a symphony of sounds that reverberated through the walls of her childhood home, echoing from her parents' rehearsals, her brother's trumpet practice, and the vintage tunes from her grandmother's record player. The melting pot of New York, coupled with her musical lineage, became a cauldron where Tamie's music fervor was stoked, simmered, and metamorphosed into an intense passion for jazz vocals.

Tall, ebony-haired, Tamie Ray, known for her entrancing stage presence and sultry vocals, emerged in the New York jazz scene during the late 1980s. She began her journey as a vocalist in small jazz clubs, with talent that stood in stark contrast to her humble beginnings. Reminiscent of jazz greats like Ella Fitzgerald and Billie Holiday, Tamie's voice was a captivating amalgamation of richness, power, and vulnerability—a voice that bore the uncanny ability to pluck at the chords of one's heart with the gentleness of a seasoned harpist. Her rendition of classic songs garnered her respect within the music community, while her original compositions firmly established her as a dynamic artist with an intuition for imagery and metaphor that transcended through her lyrics.

In the prime of her career, Tamie Ray was revered as one of the eminent jazz vocalists of her time. Still, she kept evolving, never allowing the accolades to lull her into complacency. As the shifting current of music trends started to lean towards modern genres, so did Tamie, artfully redefining her approach while never losing her jazz roots. Today, she continues to reign supreme in her beloved city, sharing her unique musical blend of traditional jazz and contemporary influences while passing on her wisdom to the next generation through her mentorship and teaching.

Despite the passage of time, Tamie's love for New York, both as her muse and her home, has remained unaltered. From the kaleidoscopic whirl of colors, cultures, and sounds within its streets, she continually draws inspiration. Her music—a metaphorical canvas splashed with the hues of her NYC experiences—resonates with both the nostalgia of jazz's golden era and the vibrant beats of today's New York. Regardless of where the winds of change might lead, one can always find Tamie Ray, the emblem of New York jazz, right where she belongs—under the shimmering city lights, swaying to the overwhelming rhythm of the metropolis, and singing tales poured straight from her heart.

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Meet Greta Falk - a woman who writes letters to the world in the form of melody, one coffee cup at a time. Best known for her achingly beautiful duet, "Faded Picture of Us (Nova Grip)", Greta's music dares you not to feel.

Once a humble barista, Greta swapped her Americano for Allegros, her caramel macchiato for concertos. Working the espresso machine in a little café back in her hometown, she spent her spare time spinning a web of storytelling, uncovering the lyrical undercurrents in the daily grind of coffee beans. Vienna was just a faded picture on a postcard then, an elusive dream that seemed light years away.

Greta's big break came after an impromptu performance in the café, grabbing the heartstrings of a customer who happened to be a music producer on a caffeine kick. Next thing she knew, she was packing her passport alongside her piano sheet music. Soon after settling in Vienna, Greta would tie the knot with the city and her newfound love. So if you thought romance was only found in a Vienna coffee house with a slice of Sachertorte, allow “Faded Picture of Us (Nova Grip)” to change your mind.

In a world where pop music often relies on sugar-coated hooks, Greta Falk’s songwriting serves up a double espresso – unflinching, raw, and undeniably addictive. So here's to Greta, crafting symphonies one coffee bean — I mean note, at a time. This woman not only proves that it's never too latte to follow your dreams but also that behind every successful artist, there’s substantial amount of caffeine. Greta definitely knows her art just as well as her coffee art!

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Glass Orchard: underdogs from Iceland's burgeoning musical arena, who've taken indie beats and songwriting to a whole new Frosty level. Headed by a commanding male lead supported by a dynamic duo of keyboardists, they're melting all sorts of icy musical conventions.

Born under the northern lights of Reykjavik, they're often joked as the "fruity version" of Sigur Rós. Our main man pulls emotional threads like a seasoned weaver, belting out raw, hearty verses that contrast blissfully against the soft twinkling of the keyboards, played by our male-female dynamic duo. And boy, do they peel back the layers!

Their most noteworthy track, "Pieces of Tomorrow", tantalizingly teeters between radio-friendly pop and their native avant-garde sound. It’s like biting into an enchanted apple; filled with textured layers of auditory delight. Get ready to chomp down to get a taste of the future through their fresh, clairvoyant tunes.

Once you've had a bite of Glass Orchard, you'll understand why Iceland's not just famous for their geysers and quirky mayor. Much like their namesake, they reflect a myriad of perspectives under one musical roof. Sweet, tangy, and reliably crisp, Glass Orchard’s music serves us delicious pieces of tomorrow, today.

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6 Broken came together in New York through chance encounters, shared apartments, and long conversations that stretched past midnight. None of them arrived with a plan to form a band. They met through friends, studios, and half-finished ideas, slowly realizing they were circling the same emotional territory. New York shaped them not as a backdrop, but as a pressure. The noise, the distance, the constant sense of movement seeped into how they wrote and how they listened.

Their music leans into restraint rather than release. Clean arrangements, patient melodies, and lyrics that leave space for interpretation. 6 Broken avoids obvious drama, letting tension live quietly inside the songs. There is an awareness of vulnerability without turning it into spectacle. Each member carries a different perspective, and those differences remain audible rather than polished away.

What defines 6 Broken is their refusal to rush. Songs unfold at their own pace, shaped by late-night demos, unfinished thoughts, and the feeling of standing still while a city moves around you. Their work is available exclusively on Filodyo and NOT FM, where subtlety has room to exist and music does not need to announce itself to be heard.

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